In an era where an Australian is playing Canadian Wolverine, and Brits
are playing Batman and Superman, it's nice to know that at least the
artist drawing the upcoming Alpha Flight mini-series will be a
Canadian.
Dale Eaglesham, a Canadian artist who's celebrating 25 years in the
comic book business this year, will draw an eight-issue Alpha Flight
mini-series by writers Greg Pak and Fred Van Lente. Alpha Flight will
spin out of Marvel's event, "Fear Itself," and will launch in June
with a "Point 1" issue designed as a jumping-on point for new readers.
Alpha Flight is one of the few Canadian superhero teams in popular
comics. Its members were recently resurrected and reunited during Van
Lente and Pak's Chaos War.
Eaglesham is getting to draw the Canadian superhero team as the latest
project in his Marvel exclusive contract, which most recently had him
drawing Pak's Incredible Hulks in a storyline that starts this week.
Eaglesham has also worked on high-profile Marvel comics like Steve
Rogers: Super Soldier and Fantastic Four. Before that, the artist
worked for DC on series like Justice Society of America and Villains
United.
In the second installment of our two-part interview with the artist,
Newsarama talked with Eaglesham about his 25 years in the comics
business and what he's expecting from his work on Alpha Flight.
Nrama: You've been back as a Marvel exclusive for a couple years now.
What's been your favorite project so far? Or have they all had their
highlights?
Eaglesham: Like I said earlier, there have been several highlights,
but I’d say my two favorites have been Hulk and What If – Hulk because
it’s so much fun drawing that character, and What If because I got to
work with Stan Lee.
Nrama: You recently launched a website and a Facebook page. Is that
because you want to keep in touch with the people who love your art?
What role does the fandom play in your career?
Eaglesham: The website has actually been around since 2006, but my
wife and our friend Sylvain redesigned it, modernized it and
relaunched it in October at
www.daleeaglesham.com. They added a bunch
of great new features, including Facebook compatibility, so that’s why
I decided to also launch a Facebook page. And then I figured I might
as well go all the way and do the Twitter thing too.
I have to admit that this stuff – the promo – doesn’t come naturally
to me, though. A lot of folks in the biz seem to embrace it and have
fun with it, and for sure it’s a great way to promote your work. Maybe
I’m too reserved, or just not used to it yet, but every time I post, I
feel like I’m saying “hey, look at me!” and I find that really
awkward.
So you’re right, for me it’s more about staying in touch with fans.
They’re the reason I’m in this line of work – when I draw a page, it’s
for them. And when I meet them at a con or they contact me on my
website, and they tell me they love my stuff, that’s my reward for the
14-hour days. Knowing that I managed to help them escape and took them
on an adventure, that makes it all worth it for me.
Nrama: You also recently celebrated 25 years in the comic book
business. Looking back, what were a few of the highlights for you?
Eaglesham: I don’t remember the exact date when my first piece was
published, but it was sometime in 1986, so that makes 2011 my 25th
year in the biz. A quarter century... It blows my mind when I think of
it that way.
Highlights... I’ll try to be selective here. Well, I have to include
my first published story, a Chuck Dixon story entitled "Traitor's
Gold." I think any creator would have to include his or her first
publication, because so often it’s the culmination of years spent
trying to get a gig. I actually did the inks too for that Kull story.
I’ll also include my Conan swan song, a 50-pager called “Masque of the
Demon.” Conan was the reason I got into comics: That’s all I ever
dreamed of drawing at the time. I never got to draw him again after
that, so it remains special to me.
Then I’d include a Punisher story called “Hurt So Good,” because I had
the honor of being inked by comic book legend Al Williamson for it. I
loved Al’s Flash Gordon work, so having him ink my work was a great
career highlight. In that same vein, I’d add the What If #200 back-up
I recently did, because it allowed me to work with Stan Lee, which was
also a huge honor.
Then I would include a mini-series I did with John Arcudi. It was a
detective series called The Creep, and it was such a unique
experience. I’ve rarely had the opportunity to do non-superhero work,
and this was with my friend John, a tremendous writer and one of the
sharpest minds I know. I’m proud to have done that work.
I would also say getting my first monthly book was a highlight. It was
Green Lantern, and I did 18 issues of that book during my two-year
run. I remember how excited I was to get that job!
As far as recognition goes, I’d include two things: The first is the
fact that I was one of the artists personally selected by James
Cameron to draw the comic book version of the Spider-Man movie he was
going to make (and ultimately never did). I was such a huge fan of
Cameron’s at the time, too, so I was blown away by the fact that I was
one of the pencilers he selected. And the second was winning the
Shuster award for Outstanding Comic Book Penciller of the Year in
2008.
Nrama: In what areas of your artwork do you think you've grown the
most over those years?
Eaglesham: Maybe the readers would be better placed to say how they
feel I’ve grown. For my part, I always strive to improve with every
single issue. I still study art and art history on an almost-daily
basis. I sometimes hear comments saying that I get better with every
book, and that’s hugely gratifying for me to hear. I don’t want to get
jaded or lazy, so I always push harder.
I also always put the story first – the storytelling has to be clear.
I’ll never let style take precedence over clear storytelling. If that
means I don’t have a flashy style that wins critical accolades, so be
it. What matters to me is that readers will never feel they were
cheated out of their hard-earned money. I always aim to give them more
than their money’s worth, and based on their comments in e-mails and
at shows, I think a lot of them really appreciate that. To that end, I
try and build depth into the pages, going deeper into background
details, composition, panel and scene transitions, dialogue placement,
expanding my grasp of character affectation — in other words, all of
the invisible arts.
Nrama: Assuming you know what you're doing after these three issues of
Incredible Hulks, can you give us a vague hint about what it will be?
Eaglesham: I’ve known for a while now what my next project would be,
but I was sworn to secrecy and couldn’t talk about it, which was hard.
But now the comic book community knows it too, as it was finally
announced yesterday: Alpha Flight!
The excitement at Marvel about this book is just a joy to behold, and
the fans have been so passionate about the book and bringing it back.
On my end, I’ve been thinking about creating a Canadian superhero team
for years now, putzing around with ideas that I could propose, but I
always came back to Alpha Flight. I thought that was such a great
team, but didn’t think the book would be revived.
Meanwhile, the "powers-that-be" were concocting a plan behind the
scenes. They picked their writers and then had a meeting about who
would be the artist, and then apparently my name came up and everyone
got super excited at the suggestion.
Nrama: Do you think that's because you're Canadian?
Eaglesham: I don’t know if the fact that I’m Canadian had anything to
do with it! Maybe! I think a strong contingent of my fan-base is right
here in Canada. They’re a passionate, dedicated group; they’re really
awesome.
Nrama: You've already worked with Greg on Hulk. What are you expecting
from the rest of the creative team?
Eaglesham: I already love working with Greg, and everything I’ve seen,
read and heard about the Pak/Van Lente team is utterly, glowingly
positive.
I’ve already been interacting with Fred and we’re having a blast. The
guy cracks me up.
I get to keep Drew Hennessy, who just inked my three-issue Hulk arc,
so that’s excellent news. I’m thrilled to have him on board for this
next project as well.
And since we last chatted for part one of this interview, my colorist
has been confirmed: It’s going to be Morry Hollowell, one of the best
colorists in the biz. He just colored a Fear Itself piece of mine, and
he seriously knocked my socks off. This is going to be a killer team,
I feel honored and so excited to be part of it. I’m giddy over here.
I’m all about Alpha Flight right now!! I’ve been doing sketches for it
in my free time, and doing research to get ready. Can’t wait to get
started on it, which should be in early March.